Helmed by Bristol sound co-founder the musician-producer, this sharp-edged though slight debut feature turns a sceptical eye on 90s rave culture. Venal drug user David (Marc Bessant) initially steals from an passed-out supplier, then in a later recollection tries to break into his own family home. In no time, he's overturned in the remains of his car in a forest – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with no time for townies, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his everyday life. The central theme – that the ecstasy generation were primarily out for number one – is firmly made. But these vignettes are too thin to adequately prepare us for what to expect when the Woodsman arrives, fuming after David strangles his dog. Still, a darkly funny standoff takes hold – David eager to get away; the Woodsman withholding his jerrycan of cider, determined to soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Music Video Sensibility
There is only one important plot development, but it results in a comically executed rampage on the forest trails that veers toward rural terror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of insects in the light in the opening part, he now goes all out with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film is in British and Irish theaters from 17 November.
